Structure[ edit ] The novel is divided into six parts, with an epilogue. The notion of "intrinsic duality" in Crime and Punishment has been commented upon, with the suggestion that there is a degree of symmetry to the book. The first half of the novel shows the progressive death of the first ruling principle of his character; the last half, the progressive birth of the new ruling principle.
Crime and Punishment tells the story of redemption. This novel deals with the question of responsibility for the actions of each individual, background of struggle between God, morality and the theory of the Superman. Summary of Crime and Punishment: Raskolnikov, the main character, is a former student who had to interrupt his studies for lack of money.
Solitary dreamer, Raskolnikov rejects collective morality. He considers himself an extraordinary man and wants to test the limits of his freedom by doing evil and transgression of the moral order. He even consider themselves entitled to commit a crime, and even kill for the good of humanity in the name of a higher purpose.
But the act does not go as planned: Raskolnikov resembles more and more to others, to those who obey common morality, the morality of obedience, and for this reason he despises.
Meanwhile, he meets Sonia, a young prostitute, who is committed: Sonia sells her body to cope with their misery. Raskolnikov confesses his crime to Sonia, who pushes him to engage in the policy. He was sentenced to deportation to Siberia. Analysis of Crime and Punishment: This novel deals with the moral conscience, the weight of the acts: Raskolnikov, who thinks he is an exceptional, finally accepts the sentencing of men and ran away and morally.
Raskolnikov is a rebel, against society, against God and against himself, but he managed to come to terms with these three entities with the abdication. It is an eschatological novel, concerning the salvation of men.
Dostoevsky reveals a humanity that can be saved only by the submission by the acceptance of a common morality, a kind of universal rules. This novel is therefore wrong in ruling against nihilism in Russia in the nineteenth century. But Dostoevsky has also staged his conception of subjectivity between the evil he commits, and though he finally agreed to do, Raskolnikov is a man, this being subject to the duality of heavy good and evil.
The man is also the moral battlefield, he chose good or evil he does, a free and accepting the consequences.The Search for Dostoyevsky in Crime and Punishment Fyodor Mikhailovich Dostoyevsky who is known as a great novelist wrote timeless classics such as The Idiot, Crime and Punishment, and The Brothers Karamazov, was not only a novelist, but a good psychologist who uncovered the secret sides of the human beings in a very effective way.
Analysis of Crime and Punishment: This novel deals with the moral conscience, the weight of the acts: Raskolnikov, who thinks he is an exceptional, finally accepts the .
Raskolnikov, an impoverished student, conceives of himself as being an extraordinary young man and then formulates a theory whereby the extraordinary men of the world have a right to commit any crime if they have something of worth to offer humanity. To prove his theory, he murders an old.
Crime and Punishment is marked by its insightful treatment of several major themes. Among other things, the book is an expose of social conditions in nineteenth−century Russia, a satirical analysis of liberal and radical politics, and a religious call for redemption through suffering.
Rodion Romanovich Raskolnikov (“Rodya,” “Rodka”) - The protagonist of the novel.A former student, Raskolnikov is now destitute, living in a cramped garret at the top of an apartment building.
It is this aspect of his personality that enables him to formulate his theories about crime and to commit the crime. In order to emphasize this dual character in Raskolnikov, Dostoevsky created two other characters in the novel who represent the opposing sides of his character.